
Typed on "Etta," the 1953 Royal Quiet DeLuxe
This also gives me a chance to prove the point that you need to adjust your technique and touch to the particular machine, if you plan to rotate them through. Consistent with my other Royals, Etta requires a more even typing technique than I use on my computer keyboard or that I can get away with on Olympias, speed-demons that they are. You'll note the bunched up letters here and there in the typecast, resulting from me getting to the next letter before the escapement advanced to the next position. Also, Etta is outfitted with a knob used to adjust the tension of the mainspring, so on its loosest setting, the carriage almost flies to the end when you move it. I had to add some tension after the first two lines, which revealed that other problem that sometimes plagues Royals: the infamous "soft left margin," where it will return
not quite to the leftmost stop. I see this on
my model "O" Royal even more. Grievances aside, the QDL is a fine machine, and it really is very quiet, something I'd forgotten. Searching this blog shows that I've only used her twice,
both times for a color-cast. I'm rather embarrassed that I have not used this machine more, in truth. It's no wonder I'm still getting used to it.