Showing posts with label craigslist. Show all posts
Showing posts with label craigslist. Show all posts

Monday, June 24, 2013

The Boundless Optimism of Craigslist

"Original finish, all parts, needs new ribbon - $50"


Cobwebs no charge, "C" and "E" keys extra.

"Some paint on the keys, still in great condition - $40"
Touch-typists only. And if you need to type a 7? 8? You're out of luck, sorry.


You can tell the tide is turning because these are both sub $100 typers now. Tough economic times!

Wednesday, February 13, 2013

ITAM Temptations

In the spirit of Adwoa's jealousy-inducing trips to well-stocked Swiss flea markets, I thought I'd celebrate my self-restraint and post some of the local machines that have been coming up on our local Craigslist and have not come home with me. The moral here is "you can't save them all (but you'll want to.)"


This monster shows up under a "RARE ITEMS TO BARTER" heading, which is never encouraging. Rare-ness is only partially true, in my opinion: the seller usually thinks it means "worth a lot of money" whereas I see it as "you don't see them very often any more, but they were made by the tens of thousands." Rarer still is the desk that could accommodate that wide carriage.


Another wide-carriage monster, which has those oh-so-desirable keys that send crafters into fits. I already have four standard machines -- four! -- and honestly don't have room for them all. Two of those four are Royals, and at this point I've pledged that the only other one I'll consider bringing in is an Olympia SG1.


Like Adwoa and her sewing machines, sometimes you see the same old friends pop up over and over. This old IBM electric comes up every month or two. The seller isn't sure that it works any more, and electrics as a rule scare me a bit. I saw one of these in person once: it was an impressively heavy piece of machinery. Now I know why all the mid-century office desks where made of heavy-duty steel -- they had to be.


This photo pains me the most, as it was a last-second "all of these will go to the dump tomorrow!" post. In the shadows on the left... do you see it? Yes, it's an Olympia SM3 case. Sigh.  Those machines are my favorite portables, which is evident by the fact that I own... three? four? I'm not even sure, which shows how far the sickness has progressed. Sadly, this is a couple of cities over from my own, and I don't have time to battle the traffic and head out there to rummage.

I did save one of my own SM3s from a similar curbside fate a few years ago, and it was well worth it. I am consoling myself with the lie that it's probably a rusted old heap although I know it's not.


This is one of a series of lovely photos of this machine: the seller did their homework and lists the likely correct year of this machine as a 1938. So pretty! Also: so expensive! For a while they were asking around $350 for this. Egad. I have nearly the same machine, bought for less than a tenth of that price. Mine also has the hinky Royal left-margin issue and a crumbling ribbon-advance gear. Lovely to look at, I'll grant you that.



One last one to share: this isn't a Craigslist posting, but is in fact my own sighting, a two-tone Underwood "Quiet Tab De Luxe" in pretty good shape at my local thrift store. This is very tempting, especially on the heels of all those machines seen above. I'm hoping some soul will come across it and adopt it, as it's in good shape, types evenly, and even has some bits of ephemera with it (cleaning brush, manual, touch-typing guide.) And if not? Well, maybe I will need to find room for it, in celebration of ITAM and in tribute to the ones that got away.

Wednesday, June 6, 2012

Unsound

typecast 20120606

Typed on a Remington Model KMC (confirmed that it's not a 17)
Remington Model 17/KMC Typewriter

Tuesday, November 22, 2011

Headless Typewriter Found in Bottomless Garage

(Optional subtitle: "Hello/Goodbye")

Hermes 3000, c. 1968

Fresh on the heels of what I thought was an awesome score this summer, the universe seemed to decide that it had enough of my griping about the relative rarity of the Hermes brand in this part of the world, and aligned in such a way that three Hermes 3000's showed up on Craigslist within a week of the arrival of my own, including one in my very own neighborhood. Fortunately for my ego, they were all priced the same as what I'd paid (including shipping) so I could breathe easy. And then, inexplicably, one showed up again just last week, one that I remembered from the summer. At a Drastic Discount.

You already know how this story is going to end.

So, I was out on a Craigslist meet-and-greet yesterday, spending a very satisfactory conversation with the previous owner of the above-pictured machine, a slightly earlier model than the one I'd grabbed over the summer, and more critically to me, in the desirable pica type size. I've gotten to the point where I'm trying to be more restrictive about the machines I keep around, and have realized that I just prefer pica to elite. My other 3000 is an elite, this one is pica. Checking Ted's excellent NOMDA scans, I see that this is the Epoca typeface, which is a very handsome san-serif typeface, which is an added bonus. Perhaps after cleaning and a new ribbon it might even be suitable for OCR work.

The seller was the former academic dean at the local community college and something of a collector: his garage is packed with what he jokingly called "the museum," which featured a broad assortment of just plain stuff: vintage toy cars and a barber's chair with attached ash tray, turntables, movie projectors, brass hose nozzles, mobile phones from the late 80s, and everything neatly labeled and shelved, with still more stuff in the shed. Stuff that started to take over his house, until his wife gently-yet-firmly suggested that he move it out of the living room and into the garage. (Visions of me in about 20 years here...)

His son wrote the book on our town's local history -- literally, it's for sale all over town -- so we also discussed writing, and free-writing, and I (of course) brought up NaNoWriMo and the Typewriter Brigade. He had a lovely old Royal Quiet De Luxe on display that belonged to his father, and featured Norwegian keys added on later. That one was a keeper, he said, and I agreed: it had a special story, and he's got kids to pass that along to. The Hermes was a yard-sale find from a neighbor down the street, and he had no such attachment to it, though he did admit to getting an email flame from someone in the Los Angeles area who was mad that he was letting this machine go for so little, presumably devaluing the LA seller's own machines. And the seller was not ignorant, either: he'd affixed a sticker showing a sample of eBay prices to the machine. He simply knew that he was done with it, and didn't need it, and that it was time for it to move on.

The only downside to the entire transaction -- and it is a very slight one -- is that I'm lacking the lid to the case. The seller never had one, and perhaps it was lost or broken by the previous owner: who knows. So, I've already pestered a few of you about the possibility of locating a new lid, and thrown out a request on the TYPESWAP group for the same. That's still in the works. At the moment, this machine is sitting beneath the dust cover from the other 3000, the 3000 that's now a surplus machine, and might be ready to move on. And while I'm thinking about it, perhaps it's time for Moses to mosey along too, he of the elite typeface and the persnickety space bar. I think it's time to take a little inventory around here and round up the machines that are ready for new homes before my darling wife moves me into the garage, too.

Thursday, February 17, 2011

The Ups and Downs of ITAM

20110217 typecast

Typed on unnamed Lettera 32, though I'm contemplating the name "Threepio" ... for I am a nerd
Olivetti Lettera 32

Wednesday, March 24, 2010