Showing posts with label may your muse be cooperative and generous. Show all posts
Showing posts with label may your muse be cooperative and generous. Show all posts

Sunday, October 30, 2016

Time Lowers all Bars

By the anticipatory vibratings of my youngest child, I can only assume that Halloween is nigh, a night promising sugary riches in exchange for minor scares and occasional suburban mirages. (One year: a horse dressed as Pegasus being walked on a lead.) Finishing touches on costumes are being applied, reworked, and revamped. Pumpkins have been agonizingly rejected and selected, sliced and scooped, carved and positioned. Careful attention is being paid to playlists: blood-curdling sound effects before or after the Disneyland Haunted Mansion music, and how much Danny Elfman is too much? It's more logistics than most military manuevers. As a parent, I'm obligated to carry bags and flashlights and hoods when they get itchy, and masks when they are too hard to see through, and (very likely) tote umbrellas, too. My rate is one Reese's cup or mini Baby Ruth per block walked, payable at the stop sign at the corner. I think this is being more than reasonable. And sometime after we've all walked about two blocks too far, and the kids are cranky, and the parents' arms are tired, and at least half of the group needs a bathroom stop and/or coffee, we call it a night, say farewell, and close our eyes on October.

And wake to November.

Of course I'm NaNoing again this year, marking a decade of dubious novel-writing (or the writing of dubious novels.) I "planned" my first year on Halloween night, set off into November with high hopes, and came thisclose to a full crash and burn before the end of the month. I had high hopes and grand plans and good intentions, which was all but inviting Disaster and Doubt onto my laptop for thirty days. I had not then had the experience I have now: the knowledge of just how "rough" a rough draft can be, of the power of free writing, of both the pain and the pride of a good edit. Our family grew by a child, faced all the usual things young growing families face in a ten-year span, plus the outliers. I've learned to be more flexible in my personal life, less self-critical, more outgoing. I've tried to get back in touch with my creative side, and take better care of my professional side, too. And I don't know if I can lay all of that at NaNo's feet, but I put a lot of it there, for certain.

Facing a Big Scary Thing once a year has been like a booster shot for life. My family and I have faced Big Scary Things together in these ten years, things that we anticipated and things that we did not. I'm reminded of these when we pull the big costume bin out of storage every year and remember the Octobers past, the people our kids have been, and look to who they've become. I think about all our annual rituals and how they anchor us even when we're being tossed around, and I can appreciate the importance of keeping those rituals alive even when we'd Rather Not This Year. And this year especially, we've recited our mantra of This Too Shall Pass to help us keep perspective on what matters, and what we need to do to get by. Rarely will we ever get anything right on the first try, and rarely do we need to. A best effort is better than no effort at all, and it's possible to get through even the most overwhelming task if you sit down a little every day.

I'm way off on my usual planning routine this year, a fact I've bemoaned in the NaNo forums. Ten years ago I didn't think I needed to plan. Ten years later I believe it. The bar to winning NaNo is set very, very low if you think about it. It's just words, one after the other. It's not life. It's not even a walk down the block in the rain. But you can bet there's going to be candy waiting at the end.

Thursday, September 27, 2012

Rhino Herders Wanted

November dreaming

20120927 typecast

Hey look! I'm already practicing my crummy spelling and grammar! Avert your eyes and:
  1. Go register at the NaNoWriMo site
  2. Check out the 2011 Brigade Topic (until the forum wipe)
  3. Sure, I'll be your buddy

Typed (with an assist) on an italic-face Olympia SM3

Nano Rhino

Saturday, November 6, 2010

The Magic

Well, it happened this morning. The first morning when I hit the alarm button a couple of times, and actually resented getting up at some ludicrous hour to write terrible fiction.

This is what morning looks like

This was taken at the end of the session, just before my kids woke up. I started at 5:30, and I've been starting at 5:00 since Monday. Needless to say, I'm very much looking forward to the time change this weekend. It's far too dark to warrant getting out of bed, much less getting up to attempt to string together a contiguous storyline. But it's also one of the few times of day when I'm truly left alone -- since all sane people are still abed -- and so I take advantage of the quiet and solitude to work. (Since starting this post, for example, I have made two breakfasts, fed and let out the dog, defused a tantrum, and watched a parade of plastic dinosaurs and cows.)

Reluctance is part of the NaNo game, of course, and much as I try to suppress the Inner Editor, he is known to perch on my shoulder and make murky comments in my ear while I'm trying to work.

"This is crap."

"Why didn't you figure out the character names in advance? My God, this is lame."

"You got us up for this?"

Sadly for the Inner E, I don't hear so well at 5:00 AM, so most of these complaints go unheeded. And during my lunchtime writing sessions at work, the coffee-cart guy has Fox news turned up too loud on his TV, which I've found to be an effective drone to dispel all rational thought. NaNoWriMo thrives in pockets of irrationality, and in the very heart of those pockets lies magic.

Magic Margin

Around the same time that the Inner E wants to start smacking "snooze", the Muse also starts kicking in. For me, writing is best tackled at regular times: I think it fools my brain into being creative, because, hey, we're sitting at that damn typewriter again and we're not getting up, might as well write. And it's in those oh-what-the-hell-just-move-those-fingers moments that the unexpected starts to creep in. The characters start talking to each other and reveal Big Personal Secrets. Scenes I had not anticipated appear, and the story is better for them. User "munk" on the Typewriter Brigade topic compared the feeling to a silvery thread connecting the subconscious to the typewriter. Yeah, I totally get that. It's the magic.

There was an anti-NaNo article on Salon lately, and then an anti-anti-NaNo article in the LA Times blog. You can search them down if you like, but it's the same arguments and defenses that have been trotted out every year, and I feel like it boils down to a slobs versus snobs distinction. I don't listen to the argument much, though I do savor some of the more nasty comments from both sides. I know the self-imposed suffering of writing regimen will end in three weeks, and I know that what I'm writing is not High Art. But gives me a chance get in touch with the magic, and that feeling makes it worthwhile.

But even more when we turn the clocks back.

Saturday, November 1, 2008

Novelists to your marks...

Get set...

Go!


November dreaming

Good luck to all the November novelists out there, Typewriter Brigadiers or otherwise. Wishing one-and-all a month of distraction-free creative goodness.