Thursday, February 23, 2012

Cover Me

Here's some exciting(?) in-progress shots of the cover art for One Last Quest showing my process, such as it is.

Step 1: Sketching

Cover Art: The Carvening

These erasers are pretty small, around 2 1/2 inches on the long side, and about 3/4 of an inch across the short edge. I say "around" and "about" since these came from the dollar store, and are not exactly manufactured to precision specs. The small size is an asset, though, since it forced me to think about what I could accomplish in a small space with my limited art abilities.

I trace out a bunch of rectangles on paper from the erasers, and then spent some time fiddling around with the letters shapes. Since this is a cover for an e-book, I wanted to make sure whatever I made was bold and would show up well when reduced to a thumbnail size. You can see my doodles on the blue paper behind these erasers. I was still trying to figure out what to do with the word "LAST" here, since I didn't like the big gap between the "L" and the "A" but there's not a lot of room to tinker around.

Step 2: Transfer

Initial drawings

To transfer the image, I placed the blank eraser next to the drawing and then copied a mirror image over. This process was fraught with peril, since my brain kept helpfully "fixing" things as a drew: note the remnants of the "N" in the word "ONE" and the fact that "LAST" was actually erased because I'd done the "L" and "S" the wrong-way around. Voluntary dyslexia is difficult, people.

Only later in the day did I realize that you could press a blank eraser against a heavy pencil drawing and enough of the graphite would transfer over to give me a reference point to recreate the drawings. Duh. (LESSON #1)

Step 3: Outline Cut

Rough carving

With outline in place, cut away! I used a Speedball Lino Set #1 that I found in a local art store (not Blick, sadly) but these erasers are so soft that you could use anything sharp enough and controllable. If you happen to have a Speedball drawing pen holder, these blades fit inside that, too, which is handy.

Except for the knife blade, all the lino tools have a U-shaped edge, in various depths and widths. This is supposedly the best way to cut stamps, versus cutting directly perpendicular to the surface, as it gives the stamp surface more strength. I stuck almost exclusively to the smallest size since these erasers are so small. And I found it easier to turn the eraser under the tool to make corners, instead of trying to hold the eraser steady and drive the cutter around. This may be horrible technique, but it worked for me. (LESSON #2)

Step 4: First Impression

First impression

With all the outline carved out, all the handy pencil marks are theoretically gone from the surface of the eraser, and there's not enough contrast to see what's going on, at least for my middle-aged eyes. Time to break out the ink pad! Just a quick stamp to make sure everything looks OK, proportions are good, I didn't flip the "N" backwards again, etc..

Step 5: Fiddly Carving

Letter cleanout

First impression passes muster, so using the same tool ("Liner #1") I carved out the narrow spaces inside and between the letters. The leftover ink is a huge help here, since you can see what's left to do. I deliberately wanted to keep the rough-carved look for the art, so I left a lot of the excess in place. I planned to scan these and remove any problems digitally, so better to have too much "extra" stuff than not enough.

Step 6: Final Carve

Final stamp

With the fiddly stuff done, I swapped blades and cut away all the rest of the excess. Now repeat steps 2-6 for the other two words, and then sketch up designs for the "icons" on the cover.

I did have trouble pinning down how I wanted the word "LAST" to look. The nice thing about using super-cheap media like dollar-store supplies is there's no real pain in tossing a bad design. Now I have an eraser I can give to my kids for schoolwork once I cut off the inky part.

Tweaking "Last"

You can see the rejected outline impression here on the orange piece of paper, and then the stamp that became the final design, with the "A" nested snug.

Step 7: Layout and Scan, and Tweak, Tweak, Tweak

The Carveningination: Aftermath

There were eight total stamps in the cover: the three words, the tower, bat, and dragon, the "X" and the source for the dotted-line path (seen just under the bat stamp above.) I did a few impressions of each stamp on a piece of plain white paper and scanned them, thinking that if I got a bad one, I could just magically copy over a good letter from another impression and drop it into place. Ha Ha! I was so naive. Here's a little tidbit I didn't think about: eraser stamps are very flexible, and they distort slightly when you press them into the page. In other words, the clean bat wings I got from impression #1 would not fit nicely over the smooth bat-body from impression #2, no matter how much I insisted that they should. Live and learn. (LESSON #3)

I brought the whole scan into Gimp and spent most of the day scooting them around a virtual page. I scaled up the words and digitally removed some of the extra print-marks and cutting goofs. The dotted-line path was made from digitally cutting up a quickie grid stamp that I made, and then laying each rectangle down individually. That felt like it took forever. I fudged the colors a bit, and with Richard Polt's permission, used his Royal Quiet Deluxe font for my name.

And the final result:

One Last Quest ebook cover art

I'm so pleased with the way that this turned out that I'm considering adding to the collection and doing simple interior stamp illustrations at each chapter head. But then, I've been known to pledge projects here before...

In the meantime, if you are the keeper of an electronic reading device and about a latte's worth of spare change, you, too can marvel at how spiffy this cover art looks on the screen. Oh, and there's some funny words that accompany it, too, if you're into, you know, reading.

You can get a copy of One Last Quest from Smashwords in just about every digital format, or from Barnes & Noble or Amazon if you happen to have one of their readers. All editions are DRM-free, because I'm a tree-huggin' hippie at heart.

Wednesday, February 22, 2012

An Author is Me

Kyras-Camera-High-Dive 061
"Kyras-Camera-High-Dive 061" by flickr user JoshSchulz

I spent the holiday weekend making a mess on our dining room table, and after much tweaking and pixel-pushing and fishing around for compliments, I pulled the trigger: One Last Quest is purchasable, at least electronically. That's one small step for (a) man, one more leap for the Typosphere. (Just following in Mr. Speegle's footsteps, here.) Now I sit back and recoil in horror at all the typos that slid by undetected.

One Last Quest ebook cover art
Click me for a more humorous tomorrow

Can't sit for long, though. I'm already reading through the formatting guide to upload directly to Amazon and Barnes & Noble. Formatting for Smashwords is very particular, and I hope that I can use the same file -- or a slightly tweaked version -- to handle the other two sites. And then I need to figure out if I'm going to resurrect the print version that I proofed oh-so-long ago.

The only scary part is the jump...

Sunday, February 19, 2012

Cover Art Again: Mad Science Sunday

When last we left our intrepid self-publisher, I was trying to figure out how one might find an illustrator for one's book, and then received a lot of Excellent Advice from Rob Bowker, plus a swarm of email from very talented people. So, you say, what's happened since then?

Nothing! I say. Well, not quite nothing. I had an idea and a vision but lack the skills to make those a reality,  and then I found someone willing to try to combine the three, and then schedules and Real Life intervened in both our lives, and the whole thing went fizzle. You might remember this book from the hastily assembled default cover that I slapped up in CreateSpace:

Time to Edit, or, the Proof is in the Pruning

Yeah, I don't like it either, but I was short on time and talent, and that's the best I could do.

OK, now let's jump into some mad science. I've dabbled in carving rubber stamps from erasers -- though I can't find any reference to it on the blog -- and when I was a better pen pal, I'd thwock a couple impressions on the envelopes or the letter. The erasers come from the dollar store, and are cheaper and a lot more disposable than a piece of linoleum if I make a goof.

A few days ago I got the brilliant-in-my-own-mind idea to get a cheap picture frame to hold a number of these stamps together to either allow me to combine them an make a large stamp area, or to let me re-arrange them and do some sort of modular design. As I started playing around with the idea of multiple stamps, and laying them on top of each other, and cover art, and...

Wait a minute!

Cover Art: The Carvening

That red thing is the Speedball lino-carving set; the blades store in the handle. I started noodling around with a dragon stamp which you can see, and I'm sketching out the stamps for the rest of the cover. I've decided that this will be a hybrid stamp-and-scanner operation, but I'm pretty excited. I plan to carve out the titles today. Stay tuned.


This is your brain on a lot of carving. Oof. I think the bulk of it is done. Tomorrow, I work on getting clean impressions and a good scan, and then off to digital cleanup.

The Carveningination: Aftermath

Tuesday, February 14, 2012

Rescue Me

All Heart

Chalk up another point for having a typewriter around. When I was gathering up the Valentine's Day gifts for my wife yesterday, I came to the sudden realization that the card that I'd picked up weeks earlier was a birthday card, and not for this particular holiday (the curse of having the two dates fairly close together: I tend to handle all the cards and gifts in one trip.) Solution: pull out the Silent Super from the foot of the bed, raid my kids' rooms for scissors and a glue stick, and concoct a last-minute art card, complete with a jagged typewritten heart on the front. It took two tries, as attempt #1 looked more like an actual anatomical heart than the traditional Valentine shape. Add a couple of rubber stamps and a cheesy typewritten ditty, and now her box of candy has a seasonally-appropriate mash note to go with it.

Roses are red
This typewriter is green
This is the most last-minute Valentine
That you've ever seen!

OK, we're not talking poet laureate here, but it sure beats "Happy Birthday."

The day was saved by a Smith-Corona Silent-Super.
SC Silent-Super & Strawberries